Robin's Blog

On Stage

Wednesday, July 02, 2008



Here's a picture of me and my sweethearts from earlier this year at a Community Singing in Somerset, KY.  Kathy was playing the piano for us that night.  No words can express the excitement, joy, and sense of purpose that I feel while we are singing together on stage or in a church service.  I am so thankful that God has allowed us to sing together as a family.      (Photo courtesy of the Garry Polston Family)

 

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Family from Minnesota

Wednesday, July 02, 2008



Ron & Eydie Schwerman, family members from Minnesota, came down to Kentucky and spent some time with us this weekend.  Eydie is my first cousin.  Her husband Ron is a Vietnam veteran who was injured in the line of duty while fighting for our country.  Sunday night they traveled with us to our singing date near Caneyville, KY at Small's Grove Community Church.  I wanted to get a picture with our beloved friends.  We love Eydie and Ron!    



 

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Alabama School of Gospel Music

Tuesday, July 01, 2008



Grace, Tess, Brooke, and Kathy recently attended the Alabama School of Gospel Music in Boaz, AL.  This is a two-week course of studies very much along the lines of the Stamps-Baxter style school.  The school teaches convention-style songs, shaped-note singing, etc.  Students are also offered the opportunity to take voice lessons and piano.  Tess studied under the tutelage of Jack Clark each day.  Clark is well-known as the pianist for the Harvesters Quartet, one of the finest groups of the 1950s and '60s.  Jack, along with that group, is featured in this month's Singing News Magazine.  Tess also took piano from Tracey Phillips, one of the best convention-style pianists in America.  Tracey has played on a number of the Gaither Homecoming videos and is a session player in Nashville.  Kathy studied with Charles Towler, who is a prolific songwriter of this style of gospel music.  At the end of the two weeks of intensive training, the school put on a recital for the public.  I drove down with my sister and enjoyed a couple of hours of some great, new convention-style music.  The books used in the school represent some of the best songs written today of this genre.  A song on our most recent CD called "I've Got Good News" came from a book used in the school in 2006.    Here, the girls arrive early for an evening  of group singing during the school.  I would have loved to attend the school myself, but somebody had to stay home and earn the living..... 

 

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Milby Family Releases "He Delivered Me" To Radio

Monday, June 23, 2008

"He Delivered Me", the lead-off song on our most recent recording, will be going out to radio stations across the country within the next few days.  The song will appear on Family Music Group's Comp #44.  Family Music Group, based in Murfreesboro, TN, ships gospel music to over 800 stations around the U.S.  This includes traditional Southern Gospel radio stations, as well as satellite and internet radio.  

"He Delivered Me"  is a powerful song and comes from the pen of songwriter Daryl Mosley, who had the Song of the Year in 2006 with "He Saw It All".

We pray that the song will be a blessing to folks and will uplift the name of Jesus Christ.

 

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Friends....Gifts From God

Thursday, June 12, 2008

I am thinking tonight about the blessings that God has bestowed upon our family in allowing us to sing gospel music.  One of my favorite times in life is when we get all our gear loaded up, and we pull out of the driveway to head out to sing together as a family.  There is a feeling of purpose as we travel down the road together.  I feel a great calm and also a drive (pun intended) as our family travels to the church or venue where we will share the good news of Jesus Christ yet again with another congregation of people.

One of the most blessed elements of traveling and singing for the Lord is the beautiful friendships that emerge, both between the folks who come out to hear us sing and fellow singers who are also doing what we do on the weekends.  The camaraderie among singers and the friendships that we have built over the past few years has been a treasure trove of blessings to Kathy and me--and to our girls.  I'm glad that we have gotten to meet so many people who truly love Jesus and love what He has sent them out to do for Him. 

Yes, there are singers on the road who see gospel music as competitive, who are jealous of other singers, or who will seek to destroy others for personal gain, but I find them to be few.  I also find that I can do little about it anyway, other than to love them and pray for them.   My view is that we, gospel singers, are all on the same team; we should be striving to help people by sharing Jesus with them through words and songs in a spirit of unity. 

If I began to name names of people who have blessed our family through their friendships, it would make for a very long blog entry.  Suffice it to say that God has put multitudes of people in our path who have blessed us with their encouragement, laughter, sage advice, hugs and phone calls.  I have been a born-again Christian since the age of 12, but I am still amazed at God.   He continually scatters handfuls of plenty in the road ahead of us so that we will discover new friendships, new opportunities and multiplying blessings in our travels.  May the road ahead be as bright and  full of joy as the road has been for us thus far.  We are enjoying this journey.


ABOVE:  Our friend Garland Milby from Louisville, KY poses with the girls after the Hodgenville Community Singing.



 

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Daywind and Crossroads Companies Publish Songs

Thursday, May 15, 2008

I'm pleased to share that the publishing companies affiliated with Daywind and Crossroads have published three of my songs from the Milby Family's most recent recording, "Faith Like A Mustard Seed".  The title song off the project, which I co-wrote with our producer, Donna Beauvais, has been published by Christian Taylor Music, Daywind's affiliate publishing company.  Donna is a wonderful writer, producer, and friend and I was honored just to share a by-line with her.  Daywind is home to such artists as Austins Bridge, Karen Peck & New River, the Perrys, Triumphant Quartet, Legacy Five and others.

In addition, I was blessed to sign a publishing agreement this past weekend with Crossroads' two affiliate publishing companies, Chris White Music and Asheville Music Publishing for two other songs from our recording.  The songs are "Find The Lamb" and "I Wonder How Barabbas Felt".  Crossroads is home to many artists such as the Isaacs, the Kingsmen, Doyle Lawson & Quicksilver, the Kingdom Heirs, Ivan Parker, the Collingsworth Family, Mark Bishop, and others.

 

 

 

 

 

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"Your Lifetime Membership To Sam's Club Has Been Revoked"

Wednesday, May 14, 2008

Back in my glory days as a stock boy at Wal-Mart (circa 1986), I toiled under the watchful eyes of several feisty and uneven-handed managers.  The particular Wal-Mart store I worked in was a training center for people who would eventually become store managers, which was an issue with all of us stock boys.  Instead of one manager to answer to, we had to keep six or eight of them happy.  Most of them were just a tiny bit older than us and giddily joyful about having the authority that they so richly deserved because of their two-year associate degrees or because their fathers or uncles worked for the company.  But I digress.  

I had previously been employed by our county newspaper for a couple of years, working my way up from typesetter to sports editor.  I had a lot of great times at the newspaper, and would ultimately return later, taking up my old job as sports editor.  But on that first stint, after a couple of years, as 20-year-olds are want to do, I grew restless in the job.  I hated calling people up and asking them for quotes for stories.  I always felt that I was intruding into their lives, interrupting their supper, etc.  I never really got over that, even when I came back to do more writing at the paper later on

So I left the newspaper and honestly was pursuing a job that would be as mindless and have as many menial tasks as possible.  I can't really explain why, but I needed some down time from deadlines and expectations and everybody in the county reading what I had to say each week.  Again, I was 20.  I needed to fade into the woodwork for a few months for my own well-being.

So I took the job at Wal-Mart.  Since this was the era of lay-aways (before credit cards were in everybody's pocket and when people had more of a pay-as-you-go mentality than they do today), most of my time was spent running up to the stockroom picking up lay-aways for people and bringing them back to the lay-away window.  I also had such high-profile tasks as swabbing out urinals, mopping floors, chaining up the bicycles at night, and helping little old ladies out to their cars in the rain when most of the time they couldn't remember where they parked.  But again, I digress.  

One of the few perks of the job was the 10% discount, which I enjoyed taking advantage of from time to time.    One particular stock boy, who ended up having a short career at Wal-Mart, decided that 10% was not enough of a price cut on in-store items; he was thinking more along the lines of a 100% discount.  Apparently he took advantage of the 100% markdown that he personally instituted one too many times when they caught him walking out with an expensive camera one day.  I think the police stopped by the store a little later to explain to him the difference in 10% and 100%.

The one other perk of the job that I thought was fabulous was when all employees were issued cards stating that we were to be LIFETIME members of Sam's Club.  In 1986, Sam's Club was still relatively new; it had been started in 1983, and was a great place to go buy stuff--lots of different kinds of stuff--in bulk and at reasonable prices.  The public really embraced this off-shoot of Wal-Mart, and I thought it was just the coolest thing to have a membership that would be free--and that I'd still have when I was 60 years old.

So young, so naive.

I ended up working for Wal-Mart about six months and decided that I couldn't take it any more.  I worked every weekend.  I cleaned up vomit.  I wandered around the parking lot at 10:00 at night gathering up shopping carts in the snow.   One manager would tell me to do something, then I'd walked around the corner and another manager would tell me to do something else.  Then I'd walk around another corner and yet another manager would put me on a different task.  I quit.  In retrospect, it was incredibly good for me.  I learned a lot about people, and I learned how to appreciate the good jobs I would get later.  It gave me more of an empathy for people who toil their whole lives in jobs where they are unappreciated and under-paid.  I admire and respect people who work at Target or K-Mart or Wal-Mart or any other job who are struggling to make ends meet.

However, even when I quit, I had that one memento from the job, that really cool and permanent lifetime membership to Sam's Club.  The closest store to our house was in Louisville, and I'd occasionally drive up there just for the sheer pleasure of flashing my card as I walked in and perusing through the store as a bona fide member, taking my time and looking around at all the stuff.  Basically, I had no life. 

Then came that historic afternoon when I drove up to Sam's Club yet again for a fun-filled couple of hours to be spent looking at radios and tires and Cracker Jacks that you could buy like 25 boxes of at once.  I walked into the little entryway, flashed my card, and started to walk on in.  The lady who looked at my card stopped me and said, "Sir, there's a problem with your card."  I smiled a smug, smirky smile back at her and said, "I'm a lifetime member."    She said, "I think you better go over to the Service Desk."

I curtly proceeded over to the Service Desk and handed my card to the customer service lady.  "They tell me there's something wrong with my card; do I need to get a new one?" I asked innocently.

Then those fateful words proceeded out of her mouth.  "Sir, you are no longer a member here." 

I cleared my throat and matter-of-factly shared with her that I had a lifetime membership.  "Sir, your lifetime membership has been revoked," she said. 

Well...I shared with her that by default a lifetime membership was just that, for a lifetime, that it was set in stone and that no manner of change could ever divert a lifetime membership since it was for the rest of your life.  She assured me that this particular lifetime membership was coming to an end, that in fact it had already come to an end, but that she would gladly set me up for a yearly membership if I was interested.     I wasn't interested.  I stared at her.  I tried again.  "This is a lifetime membership.  How can it be revoked?"  She stared back and shrugged.  "This card is no longer valid here."

Crushed, I walked back to my car and drove home.  This was an early lesson in life that very few things here are permanent, even when they are promised to be so.  I walked in the house and told my parents the whole story, and they thought it was knee-slapping funny.  They had lived a lot more of life than I had.   

But I will share that Sam's Club made a mistake that day.  They would have made a lot more money off me had they honored my "lifetime" card.  I haven't set foot in the place in over a decade. 

      

 

 

 

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Reflections on Dottie Rambo and Songwriting

Tuesday, May 13, 2008

The recent death of Dottie Rambo has caused me to reflect upon many of her great songs this week.  I keep humming or singing the opening part of the chorus of "Remind Me, Dear Lord"....."Roll back the curtain of mem'ry now and then.  Show me where you brought me from, and where I could have been."  That was a very innovative and poetic Southern Gospel song for 1966.  And then, in 1968 she wrote a song called "I Just Came To Talk With You, Lord."  It starts...."I didn't come here to ask You for anything.  I just came to talk with you, Lord."  Again, very much out of the norm for 1968.  There were a lot of great songs being written in the 1960s for sure, but these Rambo songs were somehow different.  And people loved them. 

The sticking power of a song really is the telling factor in whether it's great or mediocre.  How many songs from the 1960s or earlier that were all written by one person can you sing or even hum today?  Probably not many.  However, I bet I can hum at least 25 or 30 Dottie Rambo songs, most of which I can also remember a lot of the words to.  The two other people who were writing then or earlier that I can remember many melodies and lyrics to their songs would be Bill Gaither and Albert E. Brumley.   

I've also reflected this week on a concert my friend, Chad Ferguson, and I attended in Louisville seven or eight years ago.  This was a live video taping of Ms Rambo, who as I recall was returning to the concert stage after some time away from performing.  I remember that as she approached the platform she looked very feeble and in pain.  It seems like her manager had to help her to her position on the stage.  She had major back problems, and the pain was overwhelming for her.   But once she faced the audience and picked up her guitar, her pain seemed to melt away.  She gave probably an hour and a half or a 2-hour concert and seemed as comfortable and pain-free and in her element as any singer could be.  In fact it was obviously a joyous occasion for her.

I remember Ms. Rambo referring to her songs that night as her "babies".  At the time, I thought it rather strange, but as I've done more writing over the years, I've begun to understand what she meant.  Almost always, there are some really heavy labor pains associated with a meaningful song.  God has planted an idea in your head and in your heart as a songwriter, but all the words and all the melody won't come at once.  This is sometimes painful beyond belief.  Waves of creativity rise and fall, with the fall sometimes lasting hours or days or weeks.  And then, just about the time you have (almost) forgotten that a birth is taking place inside you, just when you are doing an everyday task like loading the washing machine or checking the oil in your car or sticking your fork in the scrambled eggs, that line that you had been seeking strikes you and you know that that's it.  The baby is being born, with the help of Almighty God.   

How could you not feel a parental-type feeling for such a special creature?

That said, there are always exceptions.  I wrote a song for our recent project called "I Wonder How Barabbas Felt" in about 30 minutes, at times writing as fast as I could go.  However, this is extremely rare for me.  There are often some excruciatingly long pauses in the writing.  For example, tonight I will pick up a song that I started months ago, in an effort to finish it.   I realized at the time that I needed to walk away from it and allow the gestation period to reach the due date, so to speak.  The song has matured in my mind over the past few weeks, which I guess could mean that I never really stopped writing it, but I fed it and nourished it and thought about it all this time until now I am hoping that it's ready to be born. 

Each writer is different.  If you talked to 100 different songwriters all of them would have a different story and a different methodology in their approach to the craft.  But I think every one of them that has been writing for very long could relate to Ms. Rambo's idea that a song is like a baby.  You certainly hope that everybody else will love the child, but either way, it will always be special to you.   

         

 

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Dottie Rambo, 1934-2008

Sunday, May 11, 2008

Legendary gospel songwriter Dottie Rambo died in a bus crash early Sunday morning on her way to a concert in Texas.  The bus she was travelling in along with her manager and several others apparently went over an embankment and Ms. Rambo was pronounced dead at the scene by the county coroner.

Dottie Rambo was a gifted and annointed writer by all accounts.  Some of her songs include:

If That Isn't Love

We Shall Behold Him

He Looked Beyond My Fault And Saw My Need

I've Never Been This Homesick Before

New Shoes

I'm Gonna Leave Here Shoutin'

Sheltered In The Arms Of God

In The Valley He Restoreth My Soul

I Call Him Lord

For What Earthly Reason

He Ain't Never Done Me Nothin' But Good

When I Lift Up My Head

It's Me Again, Lord

One More Valley

This Is My Valley

Stand By The River

Tears Will Never Stain The Streets Of That City

Remind Me, Dear Lord

I Just Came To Talk With You, Lord

I Go To The Rock

The Holy Hills of Heaven 

Come Spring

Build My Mansion (Next Door To Jesus)

Mama's Teaching Angels How To Sing

Too Much To Gain To Lose

I Will Glory In The Cross

Holy Spirit, Thou Art Welcome In This Place, and MANY, many more.

My personal favorite Dottie song is one called "Midnight In The Middle Of The Day".  For several years, I've wanted our family to record that one, and maybe we'll get to do it one of these days.  In her creative prime in the 1960s and '70s, Rambo was churning out some of the best songs in all of gospel music.  I can remember as a child in the 1970s once hearing "If That Isn't Love" sung in our church by someone, and I told my Dad after church "Now, that is a great song".  The fact that I was a child who didn't pay much attention to songcrafting at the time....but I was so moved by a lyric.... speaks volumes about Dottie's gift and how it had the power to impact others.  Two other songs she wrote that are especially dear to me are "We Shall Behold Him" (which I once played in a piano recital) and "I Will Glory In The Cross", both of which have such powerhouse lyrics that it's impossible for me to not be moved by them every time I hear them.  She was one of the finest wordsmiths of our generation, and she will be missed.  Her songs live on.         

 

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Kathy Turns 40 Today

Tuesday, May 06, 2008

My beautiful wife, my soulmate and friend turns 40 today.  Kathy was born on May 6, 1968, and all of a sudden the world was a better place to live because she was in it.  I really mean that. 

I asked her the other night if it would bother her to turn 40 and she said, simply, "No, not at all."  And she meant it.

Kathy looks so young that she is often mistaken to be one of my girls (seriously).  I often tell the story in concert about when I took our first CD to work and one of my co-workers looked at it and said, "I see this picture of you and your girls...but where is your wife?"  Kathy loved that.  I always feign disappointment that no one has ever looked at the front of one of our CDs and said to her, "Oh, what a nice picture of your girls and your son.  So where is your husband?"

If you would like to wish Kathy a Happy Birthday, e-mail us at contact@milbyfamily.com and I will make sure she gets it.

 

 

 

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